Explore and reflectĬritically on diverse approaches and purposes of printmaking techniques. Their diverse purposes as forms of communication and social engagement. Visit the Baillieu Library Print Collection to explore the history of different printmaking processes and Understand the techniques and media of printmaking in developing an exhibition and online For more teaching ideas, contact a collection manager. The University of Melbourne’s curriculum is rich and varied, and changes from year to year. The artist scratches into the ground with a tool, and when the plate is submerged into a bath of acid, the drawn lines and tonesare bitten into the metal.įor mezzotint, the rocker tool is used to pit the plate’s surface, which will take up ink and thereforeprint black, while the burnisher is used to smooth out areas to print white. In etching, a ground, usually wax or shellac, is spread all over the plate. Different tones (variations of light and dark) are created by varying the line, and by crosshatching. Metal plate engravings are made by cutting directly into the plate with a tool such as a needle or burin. This process requires allnon-printed areas to be cut away so that the image is left standing in relief, ready to receive the ink.Wood engravings are also relief prints, but are cut into the end-grain of the wood, whereas awoodblock is cut on the plank-side of the wood. To create a woodblock relief print, a variety of woodcutting knives are used. The image printed from the block or plate appears in mirror image on the sheet. A dabber is typically used to push ink into the incised lines of an intaglioplate. In both intaglio and relief prints, a roller is used to apply ink to the block or plate beforeit is run through a press. ‘Intaglio’ derives from an Italian word meaning to incise incising occurs on metal plates to create engravings, etchings andmezzotints. The oldest of these is relief, which is used for woodcuts (and later for linocuts). Two types of printmaking processes are represented by these tools: intaglio and relief. Baillieu Library Print Collection, University of Melbourne
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